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But she delivered it with “the same sense of richness” each time, even when the cameras turned on Dustin for his reaction. Unwittingly, Dustin had created a new moment, one that Benton wanted in the scene.
The ensuing custody battle, which gives the novel its title, lays bare the ugliness of divorce proceedings and the wounds they allow people to inflict on each other.
The movie would be a kind of generational marker, tracking the baby-boomers from the heedlessness of young adulthood to the angst of middle adulthood.
No one was yet calling people like the Kramers “yuppies,” but their defining neuroses were already in place.
His protagonist was Ted Kramer, a thirtysomething workaholic New Yorker who sells ad space for men’s magazines.
He has a wife, Joanna, and a little boy named Billy.
On the second day, they continued shooting the opening scene, when Ted follows the hysterical Joanna into the hallway.